Sunday night is
generally ‘Period Drama’ night in my house. It’s the night when I settle down
with a glass of something cold and winey, sit back and enjoy a crossword puzzlel
whilst my wife watches a period drama in the other room. Occasionally, I catch
a glimpse of women in those huge skirts that look like toilet roll covers,
blushing under their bonnets as some chap in tight trousers smiles at them
suggestively and says something like,
‘Why, Miss
Piddlesham, you have exquisite eyes.’
‘Really, Lord
Barfhampton, whatever makes you say such things?’
And on it goes
until his Lordship deflowers the young wench in a barn and then gets shot in a
duel by Ned the farmhand who goes on to inherit half of Lincolnshire from his
Aunt Nancy.
That was the
usual Sunday night offerings, with which I was quite content as these crosswords
don’t complete themselves you know.
Until Sunday the
22nd Jan 2017, that is, when Apple Tree Yard was unleashed upon the
watching millions who had just finished Call the Midwife and was preparing for
an hour of big skirts and bonnets, set in a yard, in which there was a tree,
presumably of the Apple variety. I glanced up from 1 across – Person who digs a
gambling game – and lowered my reading glasses. Emily Watson was purring away
like a luxury car whilst being cross examined at a government select committee.
A genetic scientist of some repute, Yvonne Carmichael was mansplaining to
several old buffers exactly what a genome was and playing the whole thing for
laffs. She swatted the final question like a particularly lazy fly and moved
smoothly out of the committee room into the great hall of parliament where she
checked her e-mails. She was immediately engaged in conversation by Ben
Chaplin, last seen by me in Game On some years ago but subsequently conquering
stage and screen on both sides of the Atlantic. Mark Costley was a confident
and handsome man in his mid 40’s who spoke easily to Ms Carmichael about
Genomes and the history of the houses of parliament. He had access to a
cupboard in which once hid a former suffragette who was trying to beat the
system from within and, after giving Yvonne a brief history lesson, he proceeded
to give her a quick knee-trembler up against the wall. No small talk, no
tipping of his top-hat and not so much as ‘mind if I do?’, just straight up the
skirt and down with the trousers.
The real problem
with scenes such as these, and I speak with the aid of imagination only, is
that it’s all too slick. Ms Carmichael was transported on a wave of lust into a
suitably receptive position which, though vertical, enabled Costley to enter
her smoothly with his trousers merely unzipped rather than falling awkwardly
about his ankles thus restricting any movement of his legs. Even those of us
who have not even contemplated copulation, fully clothed in a cupboard, know
for sure that the only outcome is a sudden and undignified crashing through the
door as both parties try to dislocate themselves from the underwear that has
become entangled around their ankles. However, Yvonne and Mark did the deed
expertly and with the minimum of comedy moments, I half expected to see them
lying together in a filing cabinet drawer having a post-coital cigarette or swinging
lazily and contentedly from the light fitting like a couple of safari park
chimps, instead they both sat in the coffee shop, Yvonne assuring him or
herself that she had never done anything like it before and Mark casually
offering her another go on the rollercoaster whenever she wanted.
The story
progressed to show Yvonne’s home life being comfortable yet routine with husband
Gary, played by Mark Bonnar who seems to have the market for long suffering,
middle aged, partners sewn up, portraying a loyal, yet unremarkable, lover as
he snored gently next to his wife while she contemplated whether or not to go
to an STD clinic. Mark’s magnetism was far too much for Yvonne who began to
feel valued as a woman again. Although quite how much value one attaches to a
woman who can be regularly banged against a variety of brick walls I am unsure.
Loads, probably, Mark would say, but then that’s his party piece whereas some
of us have got bad backs. Despite her contention that she resembles a Jelly
baby, Yvonne is finally convinced that Mark fancies the pants off her for
reasons other than she can, apparently, hover vertically in mid-air while he
treats her like a sort of reverse cash-point. Thrilled at his status and his
sense of adventure she slips into an affair that will, no doubt, start a chain
of events over the next three Sundays that will see further incomplete
crossword puzzles. The opening scene showed us Yvonne’s life had led to being
transported, in handcuffs, to a courtroom. The final scene featured Yvonne
being attacked by a drunken male colleague who seemed to know that she had a
taste for the rough stuff – unexpected and intriguing, please don’t let us down
on this, writers.